Showing posts with label sci-fi. Show all posts
Showing posts with label sci-fi. Show all posts

Monday, August 1, 2011

Voting For 2011 Hugo Awards Now Closed


The nominations for the 2011 Hugo Awards were announced in April 2011 but I just noticed at John Scalzi's blog that voting on the nominations have now closed. The nominations and winners of the 20111 Nebula awards have already been announced. The Hugo and Nbula awards are tyhe most prestigious awards for speculative works of fiction. Generally, authors select the Nebula award winners and fans pick the Hugo winners.

This year, only two books managed to make the Best Novel category of both the Nebula and Hugo Awards, both of which I have read. They are The One Hundred Thousand Kingdoms by N.K. Jemisin and Blackout/All-Clear by Connie Willis. Willis has won the Nebula-Hugo double before, for the brilliant Doomsday Book. She has already won the 2011 Nebula Award for her diptych Blackout/All-Clear. Jemisin is a first-time author whose book people either love or hate (I hated it).

Last year there was a tie for the Hugo Award for Best Novel between Paola Baacigalupi's The Wind-up Girl  and China Mieville's The City and the City, neither of which I thought was amazing.

This year's winner will be decided at the World Science Fiction convention on August 20 in Reno, Nevada.
Here's the full list of nominees for Best Novel.
Best Novel
  • Blackout/All Clear by Connie Willis (Ballantine Spectra)
  • Cryoburn by Lois McMaster Bujold (Baen)
  • The Dervish House by Ian McDonald (Gollancz; Pyr)
  • Feed by Mira Grant (Orbit)
  • The Hundred Thousand Kingdoms by N.K. Jemisin (Orbit)
    
I hope Connie wins!

Thursday, July 7, 2011

BOOK REVIEW: The Steel Remains by Richard K. Morgan


Richard Morgan has made quite a name for himself with his science fiction novels, winning several prestigious awards for his books Altered Carbon (2003 Phillip K. Dick Award) and Thirteen/Black Man (2008 Arthur C. Clarke Award). 

I have greatly enjoyed reading his Takeshi Kovacs novels, Altered Carbon, Broken Angels and Woken Furies.

The Steel Remains is Morgan's first fantasy novel, and it is pretty terrific. It is the first book in a series that is now to be called A Land Fit for Heroes. There are three main characters, Ringil Eskiath, Egar Dragonbane, and Archeth Indamaninarmal. Ringil is a war hero, the no longer young scion of one of the most important families in the city-state of Ishlin-ichan and a talented swordsman with a famous blade called Ravensfriend forged by aliens. Ringil also happens to be openly gay, which is not accepted culturally or legally. As a gay reader of the book, I was thrilled by this aspect of the character and the book. It is a huge credit to Morgan that he decided to make the most important character in the book, gay, and as a straight author included remarkably well-written (and explicit) sex scenes between this gay character and other men. This aspect of the book has been remarked upon (not often favorably) by mostly straight reviewers. The fact is that explicit sex scenes have been a part of all of Morgan's books that I have read and enjoyed, but as a gay reader I have grown accustomed to reading past those paragraphs. I completely applaud Morgan for creating a lasting (and compelling) work of fiction which will affirm gay readers of fantasy.

Egar Dragonbane and Archeth Indamaninarmal are the other two main characters that complete the trio of veteran warriors who get point-of-view chapters in The Steel Remains. Egar is a huge, muscular "savage from the North" who is well-known for killing (not one, but two) dragons. Archeth is a Kiriath-human "half-breed" who is over two centuries old but who was left behind when the aliens left the world. Archeth is also a lesbian, giving The Steel Remains not one but two main characters who are sexual minorities.

Unfortunately, although the reader might expect the story to be built around this heroic trio, it really is centered around Ringil, and although we get some, we don't get a full understanding of Egar's and Archeth's character. This is fine with me, because Ringil is pretty interesting and compelling a character as created by Morgan. Ringil does have some similarities to Takeshi Kovacs in that they are both extremely adept at meting out violence and they both seem to enjoy bravely picking fights against more powerful foes. They are also not exactly sweetness and light to be around, and have a generally jaundiced view of the world.

The plot of The Steel Remains is not as intricate as Morgan's science fiction masterpieces, but what Morgan does well is provide the setting, background and atmosphere of his novels which make them a fascinating and enthralling place to spend hours of your time. The basic outline of the plot here is what happens after Ringil is asked by his mother to find a cousin who has been sold into slavery and discovers that the criminal elements of the city have been employing an incredibly powerful ghost-like figure called a Dwenda. Ringil, of course, can not resist following the trail of clues to find his cousin regardless of how far afield it takes him or how dangerous the path is.

The Steel Remains  is highly recommended, especially for gay readers or fans of adult fantastical novels.

Author: Richard K. Morgan.
Length: 432 pages.
Publisher: Del Rey.
Published: January 20, 2009.

OVERALL GRADE: A (4.0/4.0).

PLOT: A-.
IMAGERY: A.
IMPACT: A+.
WRITING: A.

Sunday, June 19, 2011

MOVIE REVIEW: Super 8


The Other Half and I saw J.J. AbramsSuper 8 last weekend. It was billed as his homage to the classic Steven Spielberg movies of the 1970s and 1980s such as Close Encounters of the Third Kind and E.T.: the Extra-Terrestrial. Interestingly, Spielberg is listed as the producer for this film.

The story is set in the 1970s and is centered around the lives of four young teenaged friends who live in Lillian, Ohio, a small. mid-Western town. The main protagonist of the film is Joe Lamb, a 13-year-old who lost his mother in an industrial accident and whose Dad is one of the deputy sheriffs of the town. His best friend is Charles who is trying to make a zombie movie with his Super 8 camera. While filming late at night the kids witness a horrific train derailment, which looks like it was caused intentionally by their biology  teacher. The military shows up to clean up the train wreck, which was apparently a military transport. The audience starts to see people around town disappear in strange circumstances, providing us brief glimpses of what could be some kind of alien creature.

The movie is very suspenseful, with some amazing set pieces (the train crash sequence is incredible) and there were moments when either myself or my husband literally screamed out loud in surprise. Abrams skillfully deploys the "children-in-danger" motif which occurs so often in Spielberg's films to great effect and combines it with a coming-of-age story. The later aspect of the plot was less interesting to me, and the resolution of the alien creature storyline is full of Death Star-sized plot holes but overall Super 8 is a very enjoyable theatrical experience.

Title: Super 8.
Running Time: 1 hours, 52 minutes.
MPAA Rating: PG-13 for intense sequences of sci-fi action and violence, language and some drug use.
Release Date: June 10, 2010.
Viewing Date: June 12, 2011.

Plot: B-.
Acting: A-.
Visuals: A-.
Impact: A-.

Overall Grade: B+/A- (3.4167/4.0).

Saturday, June 11, 2011

MOVIE REVIEW: X-Men: First Class


The Other Half and I succumbed to summer movie marketing and went and saw X-Men: First Class in its opening weekend, at a matinée screening at the L.A. Live Regal Theaters. We had previously seen the earlier X-Men movies directed by openly gay Bryan Singer and we were curious to see how Kick-Ass director Matthew Vaughn would re-boot the franchise. I'm not as big a "Gay Geek" as Wonder Man (who is?) but I do remember collecting the X-Men comics briefly in the mid-1980s.

Overall, I was impressed with X-Men: First Class. The highlights for me were Michael Fassbender (Inglorious Basterds) as Magneto and the decision to set the film in the 1960s during the Cuban missile crisis. Fassbender is very easy on the eyes, and he's a good actor to boot. By placing most of the action in 1962, the director was able to distinguish this X-Men from the others and most recent super-hero films. Instead of the super-intelligent computers and futuristic gadgets that clutter most summer blockbusters this movie features retro styling and very un-sophisticated electronics. The heart of the film is in relationships, the three most notable are between Fassbender's Magneto and James McAvoy's Charles Xavier, Xavier and Jennifer Lawrence's Mystique and Magneto and Kevin Bacon's Sebastian Shaw. Bacon makes an excellent villain, and it is a generally accepted principle that the strength of a superhero entertainment can be measured by how effective the main villain is portrayed. The ongoing metaphor of mutant powers and sexual orientation (i.e. both of these are traits that you discover when a teenager, you may not share the trait with parents and you can be ostracized from society for actualizing the trait) is an incisive hook for a gay viewer like myself.

There are problems with the movie, however. For example, who the heck are these mutants? The "first class" of mutants to be educated and trained by Professor X feature a few that I was familiar with (Mystique, Beast and Banshee) but many more that I had no clue about (Havok, Darwin, Emma Frost). Emma Frost was controversially (among fan boys) played by Jennifer Jones of Mad Men fame, and although she looks amazing, her performance is a bit wooden. But at least she has lines to deliver, which is more can be said for Dr. Shawn's sidekicks Azazel and Riptide who have awesome powers (teleportation and wind control) but puny agents, because they are literally speechless. I was somewhat disappointed with McAvoy's Xavier because I thought he (but I concede it may be due to the script) did not do as an effective job as Fassbender did of displaying his character's motivations. It is very, very clear why Magneto is suspicious of collective efforts and humanity, in particular. It is not very clear why Professor X is so sure that he can work within the system to allow humankind and mutantkind to live and work together towards a common future.

One negative outcome of setting the movie in the early 1960s is that issues of race and gender are generally downplayed, or worse crop up in ways which discomfit those of us familiar with the 21st century. (SPOILER ALERT) Of course the first mutant to die in the movie ends up being one of the few Black ones, and the other (multiracial) mutant ends up on the side of Magneto, the putative future villain in the X-verse. The gender issues are even more problematic, with most women in the movie being shown scantily clad, even when they are given impressive mutant powers (c.f. Emma Frost). There's a reason these films look like they are designed with the viewpoint of a straight (white) 13-year-old boy in mind,despite the audience being a whole lot more experienced and diverse than that.

It will be interesting to see if they are able to make a sequel to X-Men: First Class. There are many, many great stories set in the X-Men universe (Dark Phoenix, anyone?) and hopefully, Vaughn will bring his fresh eye, and Fassbender and McAvoy to future depictions of these stories.

Title: X-Men: First Class.
Running Time: 2 hours, 12 minutes.
MPAA Rating: PG-13 for intense sequences of action and violence, some sexual content including brief partial nudity and language.
Release Date: June 3, 2010.
Viewing Date: June 6, 2011.

Plot: B-.
Acting: A-.
Visuals: A-.
Impact: B+.

Overall Grade: B+ (3.333/4.0).

Thursday, June 9, 2011

BOOK REVIEW: Woken Furies by Richard K. Morgan


The first two Takeshi Kovacs novels by Richard K. Morgan, Altered Carbon and Broken Angels, are pretty amazing, so it's bittersweet to be reading and reviewing Woken Furies, which is billed as the third and last of the series.

Each of the three books featuring Takeshi Kovacs written by Morgan is so different it's hard to call them part of the same series, but they do all feature Kovacs, a hard-bitten, world-weary, brutally efficient killing machine and violent mercenary with his own unique sense of fairness and justice in the very unfair universe of the future.

Altered Carbon takes place on Earth, in a faintly recognizable San Francisco Bay Area several centuries in the future, where Kovacs has been hired by an incredibly rich and old man to find out why he killed himself (or someone made it seem like he did). In Morgan's vision of the future consciousness download technology is  available, but not cheap. So, both Kovacs and the formerly dead man have been downloaded into new bodies (called "sleeves") from their memories stored in their "cortical stack." Morgan's depiction of an Earth of the future dominated by megalomaniacal oligarchs and capitalism run amok is weaved in with a  suspense-filled, violent hunt for the truth of the reason for the mysterious death. Synopsis: Maltese Falcon meets Bladerunner.

Broken Angels is set a couple decades in the future, subjective time, on a completely different planet called Sanction IV. Consciousness can be beamed from one planet (and star system) to another and then downloaded into a brand new sleeve. It's basically a way of virtually travelling at the speed of light. Kovacs begins the book in pure mercenary mode, fighting for the bad guys in a civil war he doesn't believe in . However, he goes AWOL to lead a mission to find and plunder a secret hoard of priceless alien artifacts with a corporate money man and two mysterious strangers he shouldn't (but does and doesn't) trust. Synopsis: Raiders of the Lost Ark meets Alien.

Woken Furies has Kovacs back on his homeworld, Harlan's World, which is 90% covered with water but also orbited by Martian artefacts which rain destructive "angel fire" on any "too large" object which exceeds a vertical distance of 400 meters above the surface. Kovacs is engaged in an extensive campaign of vengeful murder against a powerful religious sect who have rejected the promise of immortality via technology the consciousness download process provides. After saving a woman with advanced implants who was being attacked by some of the more militant members of the sect by slaughtering a half-dozen of them, he discovers that she is the head of a group of mercenaries who are working to decontaminate a nearby continent of abandoned military hardware with artificial intelligence that has run amok. The woman is named Sylvie and she can provide Koacs safe passage from the consequences of his latest massacre.

Kovacs ends up joining Sylvie's "decon" team and is able to get the team out of danger when a raid goes wrong and Sylvie is injured. While Sylvie is off-line she goes through an episode where it seems as if another personality is residing within her. The other personality appears to be Quellcrist Falconer, the most important revolutionary figure in the last several hundred years of struggle against the oligarchal families who run Harlan's World. Falconer has been dead for hundreds of years but Sylvie/Quellcrist appears to be aware of information that only Falconer would know.

Kovacs is being chased by a younger version of himself who is working for the Harlan family for reasons which are some combination of retribution for Kovacs' murderous rampage, a desperate attempt to find and neutralize Quellcrist/Sylvia and suppress any neo-Quellist revolutionaries and a desire to eliminate the competition provided by the "older-model" Kovacs.

All these motives and motivations are portrayed and resolved by Morgan in an engrossing way which is somehow not as compelling as the denouement in Broken Angels. He does make it possible that another Takeshi Kovacs novel of some kind could follow this one, but the author has expressed his desire for this to be the last one and moved on to writing a ground-breaking fantasy series, starting with The Steel Remains.
Morgan has quickly jumped to the top of my list of authors whose work I will look out for, just beneath the likes of Peter F. Hamilton, Patrick Rothfuss and Peter V. Brett.

Title: Woken Furies 
Author: Richard K. Morgan
Length: 480 pages.
Publisher: Del Rey.
Published: May 29, 2007.

OVERALL GRADE: A- (3.75/4.0).

PLOT: A-.
IMAGERY: A-.
IMPACT: A-.
WRITING: A.

Friday, May 27, 2011

Celebrity Friday: Connie Willis Wins '11 Nebula Award For Blackout/All-Clear

Connie Willis
Connie Willis is the author of one of my all-time favorite books, the suspenseful, award-winning Doomsday Book. Her most recent book is the diptych Blackout/All Clear, a sequel of sorts to Doomsday Book and To Say Nothing of the Dog, which are all time-travel based, suspenseful novels set in Great Britain and usually filled with biting comic wit.

I previously blogged about this year's nominees for the 2011 Nebula Awards, which included Blackout/All Clear. Now comes word that Connie Willis has won her seventh(!) Nebula award, her second for Best Novel, for Blackout/All Clear.

The Guardian reports:

Willis, already the recipient of 10 Hugos and six Nebulas and recently inducted into the Science Fiction Hall of Fame, took the Nebula best novel prize this weekend in Washington for her titles All Clear and Blackout. The prestigious science fiction and fantasy award is voted for by the 1,500 author members of the Science Fiction and Fantasy Writers of America, and has been won in the past by Ursula K Le Guin's The Left Hand of Darkness, Larry Niven's Ringworld and Isaac Asimov's The Gods Themselves.
Blackout and All Clear, two volumes making up one novel, see three Oxford historians from 2060 time-travelling back to an England in the middle of the second world war. When the three become trapped in 1940, they start to uncover small historical discrepancies and begin to realise that, contrary to a core part of time travel theory, it might just be possible to "horribly, tragically" alter the past.

The Left Hand of Darkness and The Gods Themselves and Ringworld are widely regarded as some of the best science-fiction books of all time. The Hugo awards are the other prestigious awards in science fiction, voted on by the fans of the genre, while the Nebulas are voted on by the writers.

I have read both Blackout and All Clear but I'm still working on my official review. In short, they weren't as impressive as Doomsday Book but they are noteworthy achievements and well worth reading. They give you a new appreciation for Britons during World War and are an intelligent handling of the mind-bending implications of time travel.

Thursday, April 28, 2011

BOOK REVIEW: Broken Angels by Richard Morgan


Richard Morgan's Takeshi Kovacs novels have a stellar reputation among hard core science fiction fans. I have previously enjoyed reading Morgan's first book in the series, the exciting Altered Carbon, which introduces the Takeshi Kovacs character to the world.

In the second book Broken Angels, Morgan puts Kovacs in another compelling and very dangerous situation, while still maintaining the character's unlikeability. The themes of the first book, explicit sexuality, corporate greed, capitalist malfeasance, dangerous technological advances, and dehumanizing violence, all return in even greater amounts in the sequel.

Altered Carbon made Richard Morgan seem like the second coming of Dashiell Hammett with Takeshi Kovacs a 24th century Sam Spade, like a cross between Blade Runner and The Maltese Falcon. I am chosing movies to relate Morgan's book to on purpose. Although Broken Angels is very different from Altered Carbon, it is also so vividly written that the story has substantial cinematic potential. It really seems like it is only a matter of when, not if, we will see major motion pictures based on the works of Richard K. Morgan.

The story this time begins with Kovacs as a mercenary fighting in a civil war on a planet called Sanction IV, as part of a unit called Carrera's Wedge which is helping a company called the Mandrake Corporation achieve its goals during a bloody, planet-wide, military conflict. One of the basic tenets of Broken Angels is that war is commerce conducted by other means (and vice versa!)

Kovacs leaves his unit when he meets Jan Schneider, who says he needs help for a scheme to smuggle an ancient Martian treasure off-world. In order to make their score they need to break out an archaeologist named Tanya Wardani, which Kovacs does and then enlists a mid-level executive named Matthias Hand at the Mandrake Corporation to finance the logistics of the retrieval operation, which of course have to occur dead smack in the middle of the war zone.

The story turns into a cross between Raiders of the Lost Ark and (the first exploration-heavy hour of) Alien. Again, as in the first book, the most important draw is Kovacs, with his near-superhuman reflexes and situational loyalty. Kovacs find and trains an elite team of experienced warriors to go on the expedition with him, but he's really the only one we care about is Kovacs. Kovacs protests (too much) that he only cares about his survival as well but his actions belie this expressed belief. Morgan's action scenes are another highlight of the book, especially when told from Kovacs perspective and internal monologue.

Broken Angels is a memorable entry into the genre of hard-core, hard-bitten military science fiction by another talented British writer. Fans of Peter F. Hamilton and Alastair Reynolds (which includes yours truly) will be thrilled to discover another author who possesses similar adeptness at creating rich, believable future worlds peopled with intelligent characters fighting battles against powerful (and sometimes alien) forces.

Title: Broken Angels.
Author: Richard K. Morgan
Length: 384 pages.
Publisher: Del Rey.
Published: March 2, 2004.

OVERALL GRADE: A (4.0/4.0).

PLOT: A+.
IMAGERY: A.
IMPACT: A-.
WRITING: A.

Tuesday, April 5, 2011

Fringe Renewed For 4th Season!


Ending weeks of suspense, the low-rated but interesting science fiction show Fringe co-created by J.J. Abrams has been renewed for a fourth season. Fringe airs Fridays nights at 9pm on Fox. It's really just an update of The X-Files with better writing and special effects, but I do like it.

Especially with pseudo science fiction badly done like NBC's The Event likely to be cancelled and SyFy's Stargate: Universe already cancelled, Fringe is one of the few treats for a science-fiction fan to watch on TV.

However, coming soon (Sunday April 17th, to be exact) HBO will start airing Game of Thrones, which is based on the acclaimed and best-selling fantasy series by George R.R. Martin. True it's not sci-fi, but it is looking really really good (and a faithful adaptation).

Thursday, March 10, 2011

BOOK REVIEW: Altered Carbon by Richard K. Morgan


I have been hearing a lot about the Takeshi Kovacs series by Richard K. Morgan and after spending the first 6 weeks of the year or so engrossed in reading the first four books of the acclaimed fantasy series Songs of Ice and Fire by George R.R. Martin, I wanted to return to hard sci-fi instead of "swords and lords" fantasy.

Morgan's Takeshi Kovacs books are well-known for their seamless melding of Raymond Chandler-esque hard-boiled detective noir atmosphere with the dizzying speculative future of William Gibson's cyberpunk. Since I'm a fan of both mysteries and science fiction this sounded good to me, but I was blown away by how well Morgan immerses the reader in his detailed future of a time where human life has become less valuable because of a technological advance called a "cortical stack" which allows the consciousness of people to be downloaded into a new body (chillingly referred to by Morgan as a "sleeve" with all the concomitant utilitarian and commonplace characteristics the word implies) after death. Peter F, Hamilton and other hard science-fiction authors have postulated similar technological solutions to physical death but Morgan's writing viscerally communicates to the reader what it would be like to have one person's brain downloaded into another person's body and additionally Morgan's plot depicts several of the complications and conundrums that can result.

One of the first thoughts that comes to mind after reading the first chapter or two of Altered Carbon, is "This would make an amazing movie, like Blade Runner." In fact, Morgan's debut novel Altered Carbon, won the 2003 Phillip K. Dick Award for Best First Novel and has been optioned by Hollywood to become "a major motion picture."

Takeshi Kovacs is an amazing creation. He is the ultimate anti-hero, a violent, highly trained elite soldier (called a United Nations Envoy) who is also sensitive to the plight of the powerless. And he is the main character in a book which is, as one reviewer on Goodreads described it, "A sex fueled scifi badass ex-super solider detective noir novel that rocks really hard."

The plot gets incredibly twisted (in multiple senses of the word) at times and it is always hard to tell who the bad guys are from the really, really bad guys but in the end one is convinced by the innate goodness of Takeshi and always interested in seeing what will happen next. I can't wait to read the other two Takeshi Kovacs novels, Broken Angels and Woken Furies.

Title: Altered Carbon
Author: Richard K. Morgan
Length: 375 pages.
Publisher: Del Rey.
Published: (1st Edition) March 4, 2003.

OVERALL GRADE: A- (3.75/4.0).

PLOT: A-.
IMAGERY: A-.
IMPACT: A-.
WRITING: A.

Thursday, March 3, 2011

TOR.COM's Top 10 Sci-Fi/Fantasy Books of the Decade


Tor.com has been running a poll of the best science fiction/fantasy books published between 2000-2010 (not really a decade) and now the results of the Top 10 are out:
  1. Old Man’s War by John Scalzi - 295 votes
  2. American Gods by Neil Gaiman - 270 votes
  3. The Name of the Wind by Patrick Rothfuss - 231 votes
  4. Blindsight by Peter Watts - 221 votes
  5. Kushiel’s Dart by Jacqueline Carey - 194 votes
  6. A Storm of Swords by George R.R. Martin - 179 votes
  7. Jonathan Strange & Mr Norrell by Susanna Clarke - 167 votes
  8. Anathem by Neal Stephenson - 141 votes
  9. Mistborn: The Final Empire by Brandon Sanderson - 125 votes
  10. Perdido Street Station by China Mieville - 124 votes
Of these Top 10, the only ones I have not read is #4, #5 and #9. I actually tried reading Blindsight but could not get past the first chapter or so. I've only recently heard of Mistborn and Kushiel's Dart. They are both high fantasy novels. Since I generally prefer science fiction, they will be lower on my list to be read in the future. Currently, I'm in the middle of reading the Saga of the Pliocene War series by Julian May and looking forward to reading The Wise Man's Fear by Rothfuss in the next few weeks.

You can click on the highlighted titles to see my reviews of those books; I am still working on reviews for American Gods and A Storm of Swords.

I am pleased to see that so many books that I have liked on this list but I strongly disagree with the Top choice (I would probably place Rothfuss' book there if I was restricted to this list of 10). I'm also very surprised not to see any books by Peter F. Hamilton or Alastair Reynolds

Friday, February 25, 2011

2011 Nebula Awards Nominees Announced


The list of nominees for the 2011 Nebula Awards have been released. I'm always interested in who is up for Best Novel.


  • The Native Star, M.K. Hobson (Spectra)
  • The Hundred Thousand Kingdoms, N.K. Jemisin (Orbit UK; Orbit US)
  • Shades of Milk and Honey, Mary Robinette Kowal (Tor)
  • Echo, Jack McDevitt (Ace)
  • Who Fears Death, Nnedi Okorafor (DAW)
  • Blackout/All Clear, Connie Willis (Spectra)
I have read The Hundred Thousand Kingdoms, but was not impressed. Connie Willis wrote one of my favorite books of all-time, Doomsday Book, which won both the Hugo and Nebula Awards. Blackout/All Clear is something of a sequel to that book, and I have just begun Blackout.

Thursday, January 27, 2011

BOOK REVIEW: DAN SIMMONS' Hyperion Cantos

Dan Simmons is the author of the four classic novels HyperionThe Fall of HyperionEndymionThe Rise of Endymion which together are sometimes referred to as the Hyperion Cantos. Simmons himself explains why it took four boks to essentially contain two stories when he said "this so-called epic actually consists of two long and mutually dependent tales, the two Hyperion stories combined and the two Endymion stories combined, broken into four books because of the realities of publishing." 

All of the books were nominated for various big-name speculative fiction awards, with most of the books winning at least one.

Below I will review each of the four works which make up Dan Simmons' Hyperion Cantos.



Hyperion 
The first book of the series won the Hugo and Locus awards for the year it came out, despite being just the first half of a gigantic novel. Hyperion sets the tone for the entire series by introducing all the main characters through various background stories each given in its own chapter. They are, in order, The Priest (Lenar Hoyt), The Soldier (Fedmahn Kasad), The Poet (Martin Silenus), The Scholar (Sol Weintraub), The Detective (Brawne Lamia) and The Consul. They are known as Pilgrims, because they have traveled to Hyperion in order to encounter the only known supernatural being in this technologically advanced universe, The Shrike.

Dan Simmons uses these stories to paint a picture of a vibrant, intriguing universe. The Hegemony of Man is the name of a 200-plus confederation of worlds that have been colonized by humanity, connected by farcasters, portals which allow instantaneous travel between planets, facilitated by the TechnoCore, an artificial intelligence. Through a similar technology, called the fatline, there is also instantaneous communication between planets. Even in this gigantic collection of planets, Hyperion, is (in)famous because it is the location of The Time Tombs and the Shrike. The Time Tombs are bizarre artefacts that appear to be moving backwards in time. The Shrike is a terrifying creature that can appear anywhere at any time to inflict an excruciating death; he is known as the Lord of Pain.

Hyperion is an astonishing accomplishment. He has created fascinating, well-rounded characters and dropped them into a rich, realistic universe set in the far future. Additionally, he uses the formal structure of the book to  show off his ability to write in different styles and genres.The stories of the seven travelers include a love story, a horror story, a noir detective thriller and a fantastical tale of a father's love for his daughter. This is just one measure of complexity of this fine novel.

Title: Hyperion
Author: Dan Simmons
Length: 481 pages.
Publisher: Spectra.
Date: February 1, 1990.

OVERALL GRADE: A-.

PLOT: A-.
IMAGERY: A-.
IMPACT: B+.
WRITING: A.


The Fall of Hyperion
The second book of the series is The Fall of Hyperion, which begins immediately after the first book Hyperion concludes. In my opinion, this book is even better than the first book, which is an instant classic. Instead of repeating the stylized format of Hyperion, the sequel uses a more familiar direct structure to present a tale of interstellar war intertwined with the stories of what happens to the seven pilgrims introduced in the first book.

The book introduces, and is centered around, the character of Meina Gladstone, the Abraham Lincoln-like leader of global humanity, who in the 29th century number 130 billion on over 200 planets. Gladstone is like Lincoln, Golda Meir and Winston Churchill all rolled up in one. As CEO of the Senate, Goldstone is the leader of the Hegemony of Man, who are being attacked by a huge force of ships which are presumed to come from a faction of humanity which has embraced biological manipulation known as the Ousters. Gladstone is a very compelling character, and we get to see what it would be like to be the leader of a great civilization under the extreme duress of war.

However,  The Fall of Hyperion contains a lot more tricks up its sleeve. We get more information on the cruciform that was introduced during Father Lenar Hoyt's story in the original Hyperion. It appears to be a device which is indestructible, and when attached to a human being, makes that person immortal, because as long as there is some biological matter attached to the cruciform, it can regenerate the original host in approximately 3 days. The implications on religion, especially Catholicism are profound, and The Fall of Hyperion delves into those, while still unfolding the fates of the original Pilgrims (at least those who survived the first book). Not all the Pilgrims survive the second book, and the sacrifices and choices that Meina Gladstone has to make in order to "save" humanity will take your breath away.

Title: The Fall of Hyperion
Author: Dan Simmons
Length: 528 pages.
Publisher: Spectra.
Date: November 1, 1995.

OVERALL GRADE: A/A-.

PLOT: A.
IMAGERY: A-.
IMPACT: A-.
WRITING: A.

Endymion


Endymion begins with one of the great lines in science fiction: "You are reading this for the wrong reason." These words are written by Raul Endymion, in the 31st century, nearly 300 years after the events depicted in Hyperion and The Fall of Hyperion. Raul was born on Hyperion, and is a 27-year-old outdoorsman who finds himself sentenced to death after killing an odious businessman. After being rescued from this fate, Raul is sent on an impossible quest by the last surviving Pilgrim from the first book.

Endymion is a road trip movie writ large, combined with a chase thriller and a religious fable. We discover that after the resolution  of the war in The Fall of Hyperion the Church has become the most powerful political force in the human Universe, as they use the cruciform as a bribe to gain complete fealty to The Pope and the Church Hierarchy by the vast majority of humanity. However, the Church is being challenged by She Who Teaches, also known as Aenea. Raul's impossible quest involved rescuing Aenea from the Time Tombs and The Shrike and keeping her safe from the Church forces who wish to do her harm. Aenea is the 13-year-old daughter of  one of the original Pilgrims, who have (mostly) been dead for multiple centuries at this point.

The Church forces are led by Father Captain de Soya, who is a pretty interesting character. Through his eyes, we get to see the inner workings of the Church, from the point of view of a true believer who is willing to die (and be resurrected) repeatedly in order to fulfill the mission his superiors have assigned him.

Another interesting aspect of Endymion is the re-appearance of The Shrike, and the new ambiguity we are presented about its motives and actions. We begin to see it as more than just a killing machine, since it seems to have some kind of odd attraction (and protective attitude) to(wards) Aenea. Aenea is another example of one of those all-knowing children we have seen before (Alia in Frank Herbert's Dune, anyone?) whose messianic destiny has been pre-ordained (somehow she will become The One Who Teaches).

The story is primarily told from the perspective of Raul, and although Aenea seems to know what will happen in the future, the future can be changed by current events, and so she often acts in ways that frustrate Raul (and by extension the reader). That being said, Endymion is an excellent follow-on to the first two books in the series, and nicely sets up the action for the series' conclusion in The Rise of Endymion.

Title: Endymion
Author: Dan Simmons
Length: 576 pages.
Publisher: Spectra.
Date: November 1, 1996.

OVERALL GRADE: A-/B+.

PLOT: A-.
IMAGERY: B+.
IMPACT: A-.
WRITING: A-.


The Rise of Endymion
The Rise of Endymion is the final book in Simmons' classic Hyperion Cantos. Although this entry is the weakest book of the four, it is still a compelling read and really just suffers in direct comparison to the other superlative works in the collection.


The Rise of Endymion is the most philosophical (and somewhat didactic) of the books. It focuses more o the story of Aenea and the conflict between her as the new messiah and the intransigent Catholic Church which has been headed by Pope Urban (formerly Father Lenar Hoyt) for multiple centuries. It's not to say that the other books lack Deep Thoughts, but it is in The Rise of Endymion that Simmons really makes his ideology clear. He is clearly opposed to organized religion but also promotes some form of Zen-Buddhism.

The strengths of The Rise of Endymion greatly outweigh the weaknesses I have mentioned here. These strengths include the description of the space battles, the characterization of Raul and the heart-rending ending. Some people have a real problem with the character of Aenea. I question their obsession with her because I re-read the Hyperion Cantos in 2010 after leaving the books on the shelf for at least a decade (although I did acknowledge they were some of my all-time favorite SF reads) and the main things that had stayed with me was The Shrike, the cruciform and the perfidious depiction of the Church--I had completely forgotten about the characters of Raul and Aenea.

One review I found while researching my reviews said about Aenea:
Aenea has become the most annoying character in the series. She denies being a messiah, but she speaks in koans. She can glimpse the future, but refuses to tell anyone anything about it. She doesn't say anything about why. She is ultimately secretive and holds back a lot of what she knows. There are parts of the book where characters ask her questions where her answers could save them, make their lives easier, etc., and she point-blank refuses to reveal anything, or begs to put off answering until "the right time." All this clichéd and cryptic messianic behavior is just far too ridiculous for me. Frank Herbert was far superior at handling characters who could see the future. Dan Simmons' "the One Who Teaches" is sadly reduced to a mystic know-it-all.
This is a pretty harsh assessment in an overall mixed review ("a work that will engross and absorb at times, and at others irritate and frustrate"). I am more positively inclined towards the book, and the series overall. Many people think the first book is the best, I actually think the second is slightly better, but I would recommend that any science fiction fan who is interested in reading the best the genre has to offer to take the time to complete the entire Hyperion Cantos.

Author: Dan Simmons
Length: 720 pages.
Publisher: Spectra.
Date: July 1, 1998.

OVERALL GRADE: A-/B+.

PLOT: A-.
IMAGERY: B+.
IMPACT: A-.
WRITING: B+.
 

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